FIMA Italian Ceramics

For over 40 years, FIMA has preserved the ancient traditions of using only the highest quality clay to create their masterpieces. Founder Pietro Fima's son-in-law Michele led us through a tour of his factory and presented us with an in-depth detail of how FIMA Ceramics are produced. Following the initial processing, the clay is compressed to remove any air bubbles to prevent expansion. We watched with awe as Massimo hand-shaped a seemingly uninspiring mound of clay into a beautifully manifested vase with supreme ease. After the clay items were dried completely, the items undergo a "first firing" in a kiln. Following this stage, each piece assumes a reddish-orange hue and is now referred to as a "biscotti". Michele then led us through the process of the glazing of the biscotti. A piece of biscotti is dipped twice in the white glaze which prepares it for painting. Careful attention is paid to ensure the glaze is thorough and even, and to make sure there are no air bubbles present on the surface of each piece. The items are then allowed to dry thoroughly in preparation for hand-painting. At FIMA, the ancient Deruta traditions of hand-painting each item are observed. Each piece has a corresponding stencil that serves as a master design to ensure likeness. However, each piece is still hand-painted and thus unique unto itself. Michele allowed us to view FIMA's skilled painters as they meticulously painted these works of beauty. When the painting of the item is completed, the trademark signature - or in some cases a special inscription - is applied to the bottom of the piece. After the application of a special glaze coat, it is then ready for the second or "final firing". Upon completion of the final firing, each piece is allowed to cool, and the end result is utterly amazing. The colors of the pieces were remarkably vivid and full, and serve as a fantastic example of what beauty results when the classic traditional forms are practiced by these skilled artisans!